The Bottom Line
Cups overflow in operatic pop group Sophe Lux's debut album Waking the Mystics. What, you don't know what operatic pop is? Well, think the heart of Queen with the mindset of a Renaissance Fayre. But then add in some unusually catchy melodies, a delightfully smooth production and a punchy, quirky sense of story -- are you with me yet? No? Well, this Portland, Oregon band has an original vibe and if you like a bit of kink with your melodic indie pop, you'll like Waking the Mystics. Think a female-fronted The Darkness circa 1968. Or the Tiger Lillies with a contemporary indie rhythmic thrust. Or... well, Sohpe Lux.
- No delusions of seriousness.
- Sturdy female vocals -- nothing bittersweet.
- "Target Market"
- If you don't like this sort of thing, you won't like this thing.
Description
- A lyrical sample: "God doesn't take American Express, anymore. What a drag."
- Playfullness is inventive in every aspect, and rarely self-indulgent.
- A great antidote to the homogeneity of the usual Portland, Oregon indie pop fare.
Guide Review - Sophe Lux "Waking the Mystics"--Album Review
Waking the Mystics was mixed by Adam Selzer, who also did the Decemberists, M. Ward -- and it's not without the flavor of both, if you imagine M. Ward singing from the hey shaft in a water-logged old-time barn and the Decembrists rocking out in a retro spacecraft (you know, designed in 1953 to represent the future).
Lead singer/songwriter/gong player Gwynneth Haynes manages to be introspective while staying in character; the backing band (bassist/saxophonist Erika Miller, accordionist/ keyboardist/glockenspielist Kelly Goodwin, and drummer Paul Anderson) don't get in the way, but add layers and layers to the very pretty fun.
Ideal for costume parties and moments of abandon. Just add volume.
